Description: angelic sounding harp solo, peaceful and retrospective mood.

Description: Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and her children to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's The Well-Tempered Clavier, and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. This piece opens with a thundering five-note pattern in the left hand. Throughout the piece, the left hand continues this pattern as the right hand plays a powerful melody punctuated by trills, scales (including a rapid descending chromatic scale in thirds), and arpeggios. The piece closes with three booming unaccompanied notes - the lowest D on the piano. Its mood and/or theme is characterized by visions of blood, of earthly pleasure, of death, of the storm.

Description: Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and her children to escape the damp Paris weather. In Majorca, Chopin had a copy of Bach's The Well-Tempered Clavier, and as in each of Bach's two sets of preludes and fugues, his Op. 28 set comprises a complete cycle of the major and minor keys, albeit with a different ordering. This piece Contains exuberant ostinati. Its mood and/or theme is characterized by a tree full of songs, uncertainty.

Description: dramatic, sombre, warm strings, sad piano melody

Genres: Royalty Free Music , Romantic Chamber

Description: A beautiful and emotional piano piece. This track may be incorporated into various types of media applications including, but not limited to, commercials, advertisements, film/television, wedding videos and more.

Description: An inspiring, relaxed and emotional piece of music. This track may be incorporated into various types of media applications including, but not limited to commercials, advertisements, film/television.

Description: Frederic Chopin's Grande Valse Brillante in E-flat major, Op. 18 shimmers with the gaiety of elegant society. It is a succession of dance themes. Each of the dance themes (there are seven in all) brings a different melodic character and dance motion.

Description: Frdric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Chteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be one of the greatest masterworks of the nineteenth century. This is the celebrated funeral march in B-flat minor of the third movement Marche funbre: Lento. Beginning and ending the Sonata, the funeral march gives the sonata its nickname. The emotive "funeral march" has become well known in popular culture. It was used at the state funerals of John F. Kennedy, Sir Winston Churchill and Margaret Thatcher. It was also played in the funeral of the Spanish poet Miguel Hernndez and at the graveside during Chopin's own burial at Pre Lachaise Cemetery in Paris.

Description: Frdric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Chteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be one of the greatest masterworks of the nineteenth century. This is the dramatic, irruptive reprise of the first movement Grave Doppio movimento with a series of chords played fff.

Description: The Scherzo No. 4 in E major, Op. 54 is different from the other scherzos by Chopin. Close to the fairytale sphere, though devoid of elves and goblins, it is brighter than the others, written with a finer, lighter pen, though it too occasionally reminds us of the existence of shadows and frights. Two categories of expression form this pianistic poem, which delights us with the immaculate beauty of its sound: the expression of play and the expression of love. The central section of the E major Scherzo (lento, then sostenuto) is filled with thoughtful music, gazing at distant horizons, sounding like the expression of pure yet ardent love.

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