Description: Another authentic piece of bluegrass from the boys in Lynchburg, Tennessee. Musically, this country jam is about as close to the backwoods of Appalachia as you can get. Version - Full Mix

Description: Up-tempo piece with continually moving melodic lines based on major chords and instrumentation comprised of a mandolin trio. Version - Full Mix

Description: Built on variations between major and minor chords and based stylistically on traditional acoustic country, this is a dark piece comprised of mandolin, acoustic guitar, stand-up bass, and fiddle. 30 seconds of slow introduction followed by a gradual increase in tempo and instrumental complexity. At 1:20 the tempo slows again to end the song. . Version - Full Mix

Description: Vocal harmonies atop a slide guitar bed and hand claps. This piece is stylistically derived from traditional acoustic country and a back porch vocal quartet. Version - Full Mix

Description: Authentic, back porch bluegrass straight from Lynchburg, Tennessee. Instrumentation includes fiddle, mandolin, banjo, and acoustic guitar. Fiddle lead up to :34, followed by a mandolin lead until 1:07, and a banjo lead from 1:08 until the end. Version - Full Mix

Description: An all-natural acoustic piece that feels like a warm Sunday afternoon. A traditional country ballad in 3/4 time with mandolin and dobro leads atop a light bed of acoustic guitar. The piece begins with a mandolin lead up to :45 followed by a dobro lead until 1:27. Version - Full Mix

Description: A relaxed piece of traditional acoustic country with fiddles, dobro, and mandolin. Rhythmic bed consists of abrupt acoustic guitar strums on 2 and 4 with dobro lead until :25, mandolin lead until :45, and fiddle lead until 1:08. Version - Full Mix

Description: Twangy, rustic feel; deep in the backwoods of Louisiana. Version - 60 Second

Description: Springy guitars and banjos trading licks; jamming on a Saturday night. Version - 60 Second

Description: Dark and determined; nothing is going to stand in your way. Version - 60 Second