Royalty Free Romantic Chamber Music

Description: The Sonata No. 3 in b minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition � rendered coherent by means of differences, contrast and end-weighting � comprises four movements. The third movement, Largo, which might be termed the central movement of the Sonata, ushers in real feelings and reflections. It is replete with song. It has the shape and character of a nocturne, a song � actually an aria � of the night. A nocturne cantabile flows through its outermost sections. It is serious, focused, held back by a dotted rhythm. Chopin gave the middle section of the Largo to contemplative, self-absorbed music. Its waves seem immobile, though here too the narrative breaks off and we hear �unanswered questions�.

Description: Ballade No. 4 in F minor, Op. 52, was composed in 1842 in Paris and Nohant and revised in 1843. The work was dedicated to Baroness Rothschild, wife of Nathaniel de Rothschild, who had invited Fr�d�ric Chopin to play in her Parisian residence, where she introduced him to the aristocracy and nobility. According to Robert Schumann, this Ballade was inspired by Adam Mickiewicz's poem The Three Budrys, which tells of three brothers sent away by their father to seek treasures, and the story of their return with three Polish brides.

Description: Fr�d�ric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Ch�teauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be one of the greatest masterworks of the nineteenth century. The first movement Grave � Doppio movimento features a stormy opening theme and a gently lyrical second theme.

Description: Famous Mozart masterpiece in classicism style but also with a romantic passionate felling (0.28) and magnific enthralling progressions (1.10). Used in movies as Love story, Mon arbre, White Collar. Availble in 2 versions: with Bosendorfer piano for a deep and rich classical sound, or Bechstein piano for a more brilliant sound.

Description: A very dramatic, intricate, grand piece by Frederic Chopin performed on solo piano. Perfect for projects needing intense, powerful classical piano music.

Description: The classic Beethoven romantic masterpiece on solo piano.

Description: chopin nocturne g minor.

Description: The Sonata No. 3 in b minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition � rendered coherent by means of differences, contrast and end-weighting � comprises four movements. Outwardly, the fourth movement, Finale, has the appearance of a rondo, but it proceeds in a balladic meter, and has the tone and spirit of a ballade. First, one is jolted from the contemplation of distant horizons, Thereafter, in a constant presto tempo and with the expression of emotional perturbation, this frenzied, electrifying music, runs to the end. Not even for a moment is this precipitous momentum reined in by the music of the episodes. And the main theme of the finale, its refrain, running ballade-like with the curtain raised, is transformed and grows in power.

Description: Fr�d�ric Chopin�s Nocturne in G minor, Op. 37, No. 1 is one of the simpler nocturnes with a more ornamental melodic line. A church-like atmosphere in the chords of the middle section potentially allude to religion. The chorale-like music may have represented Chopin's faith in the consoling power of religion.

Description: Fr�d�ric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Ch�teauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be one of the greatest masterworks of the nineteenth century. The second movement is a virtuoso scherzo with a more relaxed melodic central section. The principal theme strikes with force and aggression. The secondary calmly brings one of those simple captivating melodies that one tends to remember. The piano sings it in reverie.