Morph Cut Transitions

NLEs

Jump cuts can be a pain to deal with when cutting interviews and other types of video projects. Sometimes your talent talks too long or you need to hide unnecessary motion. All conventional wisdom says the best way to hide a jump cut is to use a cutaway or b-roll. I wholeheartedly agree and use that wisdom quite often in my own work. However, there are times when those options don’t exist and you are left with jarring jump cuts that can distract or interrupt the piece. Thanks to technological advances in editing software, there are ways to hide a jump using a Morph Cut transition. I’m going to highlight how each of the three top NLEs on the market are able to do this.

Avid Media Composer Fluid Morph

The Fluid Morph effect predates any other morph cut transition that has been brought to the market lately. In this tutorial, GeniusDV master trainer Jon Lynn shows us how to use the Fluid Morph effect to hide jump cuts on an interview clip. First, he makes blade edits at certain points, and then adds the Fluid Morph effect. In the Effect Mode panel, he changes a few parameters and sets the duration to three frames long. After a quick render, you see that the Fluid Morph was able to hide the jump cut in the interview. From what I know about diehard users of Media Composer, this effect exists in many of their favorite effects bins.

Adobe Premiere Pro Morph Cut

Introduced back in April 2015, the new Premiere Pro Morph Cut transition works to hide jump cuts between edits. Located in the Dissolve category of Video Transitions section, this transition analyzes in the background and attempts to morph frames together to create a seamless transition from multiple frames. From personal experience, I’ve found this transition works best on interviews with static backgrounds and not a lot of motion from the talent. Otherwise, it can be a hot mess when applied. Overall, I see this transition getting better with time as Adobe engineers improve the code base.

Final Cut Pro X mMorph Cut

This recent release from MotionVFX brings Morph Cut transitions to the world of Final Cut Pro X. For just $59, you can salvage interviews from long pauses, stutters, and mistakes. The transition works fluidly to fill gaps and instantly smooth out shots. I haven’t had a chance to try it out myself, but based on the demos I’ve seen, this seems like a must-have for editors who do a lot of interview work. With all the innovation that FCPX has brought to the table, I was a bit surprised that it took this long to finally get this plugin. I’ve seen tutorials where it was possible to do this but it seemed rather tedious in execution. It’s good to see that FCPX has this ability.

From what you have seen here, the Morph Cut method of hiding a jump cut can work depending on the footage and the circumstances on which you use it. While not perfect by any means, it is a method that can be called upon to smooth out an interview or other type of video project. Try using the Morph Cut method on your next video project and see how it effects your final edit.

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Swap Slide Transition in Premiere

Premiere_cs3

One of the many tips I learned when I started editing was to be observant of things I see on the screen. When I wanted to learn how to recreate a transition, effect, or animation and there was no tutorial or breakdown available, I would watch the example over and over to fill in the pieces. By doing that, I learned how to create my own effects transitions in various editing applications as well as how to turn those into successful tutorials. What I’ve recently learned how to do in Premiere is how to create over/under transitions that I was used to seeing in FCP 7. The first one I did was a Sliding Page Transition. I was able to break it down by observing a video clip I saw online into its essential elements. In short, it was nothing more than animating the scale and position parameters, switching clips on their original video tracks and adding a quick gradient behind it. Once I put the pieces together, it was simple to recreate it. I took a similar approach for this transition as well.

The next transition I will show you how to do a Swap Slide. This transition involves swapping your outgoing clip with your incoming clip.

Swap Slide Transition Setup

First, you want to have two clips on your timeline like the picture below.

Screen shot 2013-05-26 at 3.11.58 PM

Next, add keyframes for position on both clips. For the clip on track 1, I’ll add a keyframe for position at its default value.

Screen shot 2013-05-26 at 3.42.31 PM

Let’s move 13 frames forward and add another keyframe with the clip moved to right, almost offscreen.

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Move 12 frames forward and change the position value back to the default.

Screen shot 2013-05-26 at 3.45.43 PM

Now, we need to add the same amount of keyframes to the clip on track 2 as well but instead of moving it to the right, we will move it to the left. Follow these screenshots as a reference.

Screen shot 2013-05-26 at 3.47.21 PM

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Screen shot 2013-05-26 at 4.08.29 PM

The final step in creating this transition is a blade edit and swap the video clips. First, let’s make a blade edit on the second keyframe of each clip.

Screen shot 2013-05-26 at 4.10.01 PM

Move the clip on track 1 to track 2. Do the reverse for the clip on track 2.

Screen shot 2013-05-26 at 4.11.16 PM

If you do all that, you will get a result that looks like this.

There you have it. Another over/under transition for the FCP converts who now use Premiere. If you want the transition to happen sooner, you can change the timing of the keyframes to your liking. If you are PC user, this tutorial may not be relevant as this transition still exists in the Slide category. If you want an option to purchase a package that has this actual transition, you can get the Genarts Sapphire package or BorisFX’s RED package. Both of them offer this transition with in their vast categories. While they are great to have, they can be expensive if you don’t have the budget, so purchase wisely.

I’m the NLE Ninja with AudioMicro asking you to stay creative.

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