One of the things I’ve enjoyed about learning the inner workings of Final Cut Pro X is how to work faster despite having a different editing paradigm. Getting used to the magnetic timeline was a struggle at first, but now I’ve become accustomed to it. I find myself trying to do things that are akin to the magnetic timeline that don’t exist in track based NLEs. However, I discovered new tips and tricks from users across the world that make my FCPX experience more enjoyable. I’m going to highlight a few tips that hopefully help you in your FCPX experience.
Connected Clip Tricks
In this episode of MacBreak Studio, the folks at Ripple Training show us how to deal with connected clips. As great as the magnetic timeline can be, dealing with connected clips can be cumbersome. Their first tip involves changing a connected clip to a different primary clip. Holding down the option key, Mark clicks on the bottom of the connected clip and changes the connect to a different clip in the primary storyline.
The next tip involves deleting a primary clip and leaving the connected clip in place, or creating a ripple edit. If you hold down the Shift key and press delete, the primary storyline clip will disappear and the connected clip will be placed above a gap clip. To get the ripple edit, hold down option + command+ delete to perform the delete selection shortcut.
The final tip involves slipping a clip in the primary storyline without moving the connected clip. Holding down the tilde key and pressing the T key, you can slip your primary clip while retaining the position of the connected clip in the secondary storyline. A bonus tip is offered which showcases how to have the override connections command in place until you turn them off. Holding down the tilde key and the command key, let go of the tilde key and the override command will be active until you press the command key again.
Overall, this collection of tips got me excited at how much faster I could move FCPX, and knowing how to navigate the tedious nature of the secondary storyline.
Fast Editing With Clip Skimmer
In another edition of MacBreak Studio, the folks at Ripple Training offer insight into using the clip skimmer to navigate the intricacies of the primary and secondary storylines. With clip skimming enabled and the main skimmer disabled, users can focus on clips solely in the primary or secondary storyline. Using the clip skimmer enabled and the main skimmer disabled, they are able to make targeted ripple edits in primary and secondary storylines without effecting the entire timeline. They also highlight how much easier it is to insert clips into the secondary storyline when the clip skimmer is enabled so that you can be a power user.
Starting Up FCPX
When you open FCPX from the dock or applications folder, it usually opens the last library or libraries you were working in. But what if you want to select which libraries FCPX opens upon startup? The folks at fcpx.at inform us that by holding down the option key at startup, you will be presented with a dialog box showing you all available libraries. Selecting one of the available libraries or using the Locate function to add another library will open that library in FCPX.
Another way to chose which library opens when you start FCPX is to use the inexpensive companion application, Library Manager. The application has the ability to create libraries from scratch and open libraries by themselves if you chose.
Overall, I’ve found these tips to be extremely helpful in getting much more knowledgeable about how FCPX functions. Learning these tips have given me a great appreciation for the application and has suppressed my frustrations I had when it first came out. Try these tips yourself and become the power user of FCPX that you want to be.