For the last three years, Final Cut Pro X has seen improvements that have furthered its stake in the NLE world. Since its release in 2011, it’s been meet with criticism and praise from many. Recently, professionals from across the world have stepped up to offer their tips for being efficient in FCPX and showcasing its potential. I want to share a few tips I’ve come across from working professionals who use Final Cut Pro X to get their projects done. After you see what tips these pros offer, you may look at FCPX in a more positive light than before.
Written by Braden Storrs, an FCPX editor and enthusiast, this article provides quick and effective organization techniques using FCPX’s library management model. He endorses creating two folders with keyword and smart collections. Within the smart collections, he recommends you name each collection for items that may be common within your project (i.e. multicam clips, dialogue, music, compound clips, notes, unused video, etc.) Once you’ve named your smart collections, make sure that you use specific rules for each collection so that they show up each time you click them.
In regards to keyword collections, these are project specific, so make sure to create them for specific items in your project as you work. Keep them in a standalone template library file so that you can grab and place them in a new project library to speed things up. Since reading this article, I’ve finally developed a quick and efficient workflow for cutting in FCPX. I finally understand the speed comments made by FCPX editors.
The next tip I came across online was from FCPX editor T Payton. In this video tutorial, he shows us how to create optical flow transitions to hide edits made on an interview. This technique is popular among Avid Media Composer editors using the Fluid Morph transitions, which allows them to merge jump cuts into a seamless transition. His technique involves the use of speed ramping and exporting multiple times to accomplish this effect. I find the technique to be of great use for those of us who cut a lot of interview bites. However, the amount of steps it takes to achieve the effect could be cumbersome, especially on large projects. The time tested technique of covering jump cuts with b-roll makes more sense than this, unless the client wants a straight cut of a talking head during this interview portion.
This is an article written by editor and FCPX plugin developer Peter Wiggins of Idustrial Revolution. In the article, Peter gives ten tips for editing in FCPX when time isn’t on your side. Having background rendering on, making a snapshot before any radical changes, and hiding waveforms before media import stood out to me, and considering that Peter does a lot editing that ends up on the air relatively quickly, it’s good to know what tips can help you under pressure. Even with the fastest computer and hardware available, you will run into unforeseen circumstances that can interrupt your edit, so it’s always good to know a few handy tips to keep yourself efficient.
These are a small collection of tips I’ve come across the internet for improving your workflow in Final Cut Pro X. As I’ve seen from multiple users, there is no clear cut way for cutting in FCPX, which is why it is so dynamic. Try these tips and techniques yourself, and see if you improve in speed and efficiency.