Royalty Free Romantic Chamber Music

Description: Fr�d�ric Chopin�s Nocturne in G minor, Op. 37, No. 1 is one of the simpler nocturnes with a more ornamental melodic line. A church-like atmosphere in the chords of the middle section potentially allude to religion. The chorale-like music may have represented Chopin's faith in the consoling power of religion.

Description: Fr�d�ric Chopin�s Nocturne in G minor, Op. 37, No. 1 is one of the simpler nocturnes with a more ornamental melodic line. A church-like atmosphere in the chords of the middle section potentially allude to religion. The chorale-like music may have represented Chopin's faith in the consoling power of religion.

Description: Fr�d�ric Chopin�s Nocturne in B major, Op. 32, No. 1, dedicated to Madame Camile de Billing, was published by the composer in 1837. It is initially marked andante sostenuto, then transitions to adagio. The piece is more aptly described as a ballade in miniature.

Description: Fr�d�ric Chopin�s Nocturne in B major, Op. 32, No. 1, dedicated to Madame Camile de Billing, was published by the composer in 1837. It is initially marked andante sostenuto, then transitions to adagio. The piece is more aptly described as a ballade in miniature.

Description: Fr�d�ric Chopin�s Nocturne in D-flat major, Op. 27, No. 2 consists of two strophes, repeated in increasingly complex variations. The main cadence, near the end of the piece, is one of the most glorious moments in Chopin's entire output. The duality of voices is reminiscent of the sweet summer of two souls. The piece occasionally has been featured in popular culture, such as in the James Bond movie, The Spy Who Loved Me, the 1998 Russian film The Barber of Siberia, and the webcomic Saturday Morning Breakfast Cereal.

Description: Fr�d�ric Chopin�s Nocturne in D-flat major, Op. 27, No. 2 consists of two strophes, repeated in increasingly complex variations. The main cadence, near the end of the piece, is one of the most glorious moments in Chopin's entire output. The duality of voices is reminiscent of the sweet summer of two souls. The piece occasionally has been featured in popular culture, such as in the James Bond movie, The Spy Who Loved Me, the 1998 Russian film The Barber of Siberia, and the webcomic Saturday Morning Breakfast Cereal.

Description: The first part of Fr�d�ric Chopin�s Nocturne in G minor, Op. 15, No. 3, has a peculiar atmosphere � fantastic, mystical, surreal, turning in the second part of the Nocturne into a chorale, played sotto voce, as if under one�s breath, in a quietude that evokes the mood of religious contemplation.

Description: The first part of Fr�d�ric Chopin�s Nocturne in G minor, Op. 15, No. 3, has a peculiar atmosphere � fantastic, mystical, surreal, turning in the second part of the Nocturne into a chorale, played sotto voce, as if under one�s breath, in a quietude that evokes the mood of religious contemplation.

Description: Composed in 1832, Fr�d�ric Chopin�s Nocturne in F-sharp major, Op. 15, No. 2 is a technically challenging piece. The first section, Larghetto, features an intricate, elaborately ornamental melody over an even quaver bass. The second section, labeled doppio movimento (double speed), resembles a scherzo with dotted quaver-semi quaver melody, semi-quavers in a lower voice in the right hand, and large jumps in the bass. The final section is a shortened version of the first with characteristic cadenzas and elaboration, finishing with an arpeggio, falling at first, then dying away.

Description: Composed in 1832, Fr�d�ric Chopin�s Nocturne in F-sharp major, Op. 15, No. 2 is a technically challenging piece. The first section, Larghetto, features an intricate, elaborately ornamental melody over an even quaver bass. The second section, labeled doppio movimento (double speed), resembles a scherzo with dotted quaver-semi quaver melody, semi-quavers in a lower voice in the right hand, and large jumps in the bass. The final section is a shortened version of the first with characteristic cadenzas and elaboration, finishing with an arpeggio, falling at first, then dying away.