Description: Low bass and percussion bring about disquiet and fright, while the furtive entrance of electric guitar at :20 brings paranoid thoughts of an invisible stalker. Version - No Bells No Guitars

Description: Relentless low bass accompanied by a ghostly piano part gives this track an atmosphere of lurking dread. Sparse percussion contributes to the sinister tone. Version - No Piano

Description: Pizzicato orchestral strings start this track with an imprint of anxiety with brass instruments and sustained strings in at :21. Their gradual rise in pitch brings a rise in the notion of immediate peril. Rapid high hat in at 1:03. Version - No Percussion

Description: Rapid fire treble piano punctuated by snare rolls give this piece a purposeful edge. The hero's business of executing an elaborate life-saving plan requires the kind of focus reflected here. Version - No Piano

Description: Disquieting male vocals and a powerful syncopated melody are combined to frightening effect. . Version - No Choir

Description: Orchestral instruments sustain an impression of nervousness while rapid drumbeats bring a feeling of imminent pressure. Version - No Percussion Loops

Description: Low bass and percussion bring about disquiet and fright, while the furtive entrance of electric guitar at :20 brings paranoid thoughts of an invisible stalker. Version - 15 Second

Description: Relentless low bass accompanied by a ghostly piano part gives this track an atmosphere of lurking dread. Sparse percussion contributes to the sinister tone. Version - 15 Second

Description: Pizzicato orchestral strings start this track with an imprint of anxiety with brass instruments and sustained strings in at :21. Their gradual rise in pitch brings a rise in the notion of immediate peril. Rapid high hat in at 1:03. Version - 15 Second

Description: Rapid fire treble piano punctuated by snare rolls give this piece a purposeful edge. The hero's business of executing an elaborate life-saving plan requires the kind of focus reflected here. Version - 15 Second

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