Description: -Instrumental full band classical song with viola lead recorded in studio by award-winning musicians and producer with the music feel of lost in big city.

Description: Solo piano waltz, in the style of the romantic composers a little on the macabre side. Variations on a melody bittersweet in parts but begins and ends on a heavy note. Somewhat reminiscent of the works of Frdric Franois Chopin.

Description: 2m10 piano piece with strings in at 1m01. very eric satie in style.

Description: Solo Piano. Meditative and reflective, in the impressionist style.

Description: a stately and somewhat meloancholic string orchestra waltz.

Description: Claude Debussys Ballade slave (Slavic Ballad) is piece for the solo piano that rests on a single theme and the repetition of its basic motifs. It is tangibly Russian in character, constructed around the principles of variation technique. Despite its Russian flavor, the piece contains a clear hint of Debussy's great sea music with its wide-flung left hand arpeggios.

Description: Claude Debussys Ballade slave (Slavic Ballad) is piece for the solo piano that rests on a single theme and the repetition of its basic motifs. It is tangibly Russian in character, constructed around the principles of variation technique. Despite its Russian flavor, the piece contains a clear hint of Debussy's great sea music with its wide-flung left hand arpeggios.

Description: Claude Debussys Menuet constitutes the second movement of his famous piano suite Suite bergamasque. In A minor, its playful main theme contrasts with an alternatively mysterious and dramatic middle section. The piece is particularly original, as it does not conform to the particular style that most minuets share. Rather than being very airy and dainty, it shows much more raw comedy. Debussy sets a very novel piece in the guise of an old dance style.

Description: Claude Debussys Pour lgyptienne (For the Egyptian Women) belongs to Six pigraphes antiques (Six Antique Epigraphs), a suite of six pieces for piano duo. Much of the music is taken from the musical accompaniments he had written for his friend Pierre Louss erotic lesbian poems Les Chansons de Bilitis.

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