Description: Light theme in the Baroque style, performed two solo instruments: harpsichord and flute. Сan be used as a background for media projects.

Description: Spritely, comical and slightly mischievous, with ideas of grandure. Features orchestral strings, english horn, oboe and horns in several movements with a different pace. Main mix, u/score, 60sec & 30sec versions.

Description: Beautiful flowing strings play a soft orchestral melody which gradually builds as gentle harp combines. Trumpets are introduced near the end to add a slight dramatic finish. Ideal track for film love scene.

Description: Orchestral loop, classical conception. Evocation of a dance in European Courts eighteenth-century. Noble atmosphere and light elegance, for particular projects.

Description: A symphonic composition of typical classical style. There are string instruments (from violin to basses), woodwinds (clarinet, bass clarinet, oboe, bassoon) and harp. The mood is expressive and excited, anxious and restless. The composition portrays a decisive moment, when one has to make fateful decision and it's not much time to think.

Description: baroque, dance, castle, medieval, queen, king, glockenspiel, bright, trumpet, slow tempo, Renaissance, Minuet, Gavotte, Pavane, funny, dreamy, harpsichord, happy, light, violin, orchestra, 18th century, Princess, fun, melancholic, playful, optimistic, joyful, hopeful, sentimental, positive, flutes, flute, oboe, cello, strings, bassoon, pre 15th century, 16th century, 17th century

Description: The mood of the Renaissance. This track can be incorporated into various types of media applications including commercials, advertisements, film/television, wedding videos, video-albums, slideshows etc.

Description: Tense, dark and flowing string based classically-inspired piece. Moody orchestral strings build gravitas and authority to a climactic finale. Great for car adverts, financial reports, corporate communications, period dramas, mysteries, film trailers etc. In the style of Vivaldi's Four Seasons.

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